With more than 800 million active users (more than half of whom logon every day), it is no wonder so many people have written about Facebook. Some have looked at how political candidates use Facebook, other, rhetorically-minded scholars have seen it as a pedagogical aid. Oddly, however, Facebook has not received an adequate analysis as a unique, multimodal, rhetorical space. This is due, in large part, to a lack of analytical tools for such a diverse medium.
In recent years, the search engine Google and social network Facebook have been competing for the top spot as the most popular website. According to a recent article in the Los Angeles Times, there are approximately 800 million active Facebook users, making it the most popular social networking site, followed by MySpace with 33 million.
I’m desperate for tools and strategies to help me get my job done and still live a life. Like many other writing instructors over the past twenty years have done, I’ve tried out scores of promising technology solutions that looked like they might help me do my job more effectively or efficiently, whether that means helping students to apply concepts they’re learning, or freeing up time for me to apply to course planning, attending meetings, and grading stacks of papers.
As blogs become permanent additions to many news organizations’ websites, professionals and readers are beginning to evaluate the value blogs have to news. Publications such as The New York Times maintain such a vast collection of blogs that many include a directory online to navigate through them; writers cover various subjects, including news and politics, […]
Since the end of World War II, visual rhetoric based writings in the first year composition classroom have become more prevalent. Visual rhetoric has already enjoyed a high level of success because not only are there many media and technological resources available for discourse, but the design of writing prompts has given students the latitude […]
The fifty-four-year old artist walked the streets of Fort Bragg, an old Northern Californian lumber town. He saw two places: the slowly gentrifying tourist hamlet it is now, and the decaying backwater it had been during his youth. He remembered days when this central street was lined with seedy bars and mill workers. Paychecks dispensed at the nearby docks rarely made it home.
The Kids Are All Right is the story of lesbian couple Nic and Jules Allgood, both in their 40’s, and their children, Joni (18) and Laser (15), conceived via artificial insemination with sperm from the same donor. The film — co-scripted by Lisa Cholodenko and Stuart Blomberg, directed by Cholodenko, and performed by Annette Bening and Julianne Moore as Nic and Jules, Mark Ruffalo as Paul (“donor dad”), and Mia Wasikowska and Josh Hutcherson as Joni and Laser – explores the multifarious ways that the family is disrupted by Laser’s desire to bring his “donor dad,” Paul, into the otherwise female context he inhabits.